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A Man After My Own Art

By | Art & Social Change, Crafting Change | 2 Comments

These days knitting, crocheting and sewing are popular hobbies. But it’s hard not to notice that these crafts are still largely dominated by women. So why do so few men do these kinds of crafts? When we’re in elementary school, boys and girls all make the same Christmas ornaments and woven potholders, but once we get a little bit older the girls are sewing in home economics and the boys are playing with power tools in woodshop.

Many men still wouldn’t be caught dead knitting or sewing a torn pair of pants. Women can do traditionally “manly” tasks like fixing things around the house or changing the oil in their car without it being a threat to their womanliness. But for most men, acting too “feminine” is still a big taboo. Women can wear men’s clothes without getting too many funny looks, but when was the last time you saw a man walking down the street wearing a skirt?

There also aren’t a lot of women who are carpenters or furniture makers, but there’s not such a stigma around women doing “manly” crafts. The stigma attached to men doing “women’s” crafts is part of the larger cultural phenomenon of devaluing women’s work and contributions. This contributes to the gender disparity in pay, to the gendering of careers (i.e. teachers, nurses, and housekeepers are mostly women; most IT and engineering jobs are filled by men), and people generally getting boxed into gender stereotypes. It’s part of a culture that denigrates boys for being too “girly” if they like theater or playing with dolls. Girls don’t get nearly as much hassle from their peers (or from adults for that matter) for acting like a tomboy, and the same paradigm holds true once we’re grownups.

There are definitely men crafting though, and maybe as more men take up traditionally female crafts, this stigma will break down. Websites like menwhoknit.com and the existence of Men’s Knitting Retreats are signs that there are men who enjoy knitting and aren’t afraid to show it. The UK site Stitch Craft Create compiled a list of British men who love crafting so much they do it for a living. It includes bloggers like the super-crocheter One Man Crochet (who also has the coolest avatar ever) and cross-stitcher Mr. X Stitch. Apparently even Ryan Gosling loves knitting!

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However, the fact that men’s knitting groups exist shows that they feel they need their own space where they don’t have to worry about feeling out of place. One male knitter has observed that most knitting books and magazines predominantly feature images of women and very few patterns for men’s clothing. When all you see are women knitting, it reinforces the stereotype of knitting as a women’s hobby and makes men even more reluctant to take it up.

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Having more men involved in needlework and other crafts might help chip away at restrictive expectations of what men are supposed to like or do. It may also help elevate the status of those crafts, although I hate the idea that something would be valued more just because men participate in it. In any case, it will take both bold men and open-minded women to create a craft world where those of all genders feel welcome and where their work is valued.

IMAGE CREDIT. Courtesy of One Man Crochet and Lion Brand Yarn.

Renegade Wool

By | Art & Social Change, Crafting Change | 3 Comments

I’ve been wanting to write about the awesome practice of yarnbombing since beginning this blog. If you’ve never heard of yarnbombing (also called yarnstorming), it’s basically the crafty equivalent of graffiti, done with yarn and needles rather than paint. Renegade crafters head out, usually under cover of dark, and cover signposts, parking meters, benches, bike racks and other urban structures with colorful knitted or crocheted yarn. Extreme yarnbombers have taken it even further, covering entire cars, buildings and statues with yarn.

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Like any public art, yarnbombing certainly beautifies neighborhoods, at least temporarily. But can it effect social change? It’s certainly not fighting poverty, hunger, or poor health. But it does get people to pay attention to their surroundings in a way they normally wouldn’t. It brings some brightness to drab, cement landscapes and makes people smile.

One community in the UK is putting up yarn installations to deter crime, or at least reduce residents’ fears of crime. Police and neighborhood associations have decorated trees and lampposts with yarn baubles, in the hopes that it will make public spaces more inviting and encourage residents to spend more time out and about in their communities. Building on the “broken windows” theory, they hope that by making the area look more pleasant and taken-care-of, people will be less likely to commit vandalism or other crimes. Art (or craft) in public spaces is one way to achieve this.

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Renegade crafters have also used yarnbombing to make expressly political statements. A group of environmental activists in Alberta wanted to raise awareness of natural areas in their province that are being destroyed, so they yarnbombed a forest that was slated for logging. Danish artist Marianne Jorgenson entirely covered an historic military tank with pink, knitted and crocheted squares to protest Denmark’s involvement in the Iraq war. If you had to think of something that was antithetical to a violent war, a pink, fuzzy blanket would probably be high on the list.

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In all these uses of yarnbombing, whether for a political purpose or just for fun, the yarn has symbolic connotations of warmth, love and comfort. Like a baby blanket or an afghan your grandmother made for you, it’s something cozy and inoffensive, an antidote to oppressive urban sprawl or abandoned neighborhoods.

If you want to learn more about yarnbombing, a new fiber arts center, Baltimore Threadquarters, is hosting two yarnbombing workshops this Friday and Saturday. Check them out and get knitting!

 

IMAGE CREDITS. ShapeThings via Flickr; Bowery Boogie; BBC News; MarianneArt.